In this page, I have collected some syllabi that either I designed myself or substantially contributed to.

Indiana University Bloomington 2013-2020

M301: Italian Reading & Expression

M250: Intermediate Italian II

M300: Italian Conversation & Diction

M301: Italian Reading & Expression

I developed a new syllabus that pairs the study of Twentieth century Italian history with the history of Italian comics, in order to have students familiarize themselves with less conventional materials such as fumetti and graphic novels. The association of pictorial and linguistic elements in comics helped students develop complex analytical skills in both verbal and visual literacy.

M301 is a bridge course that allows students to transition from core language classes into literature classes. The course meets five days a week: MWF are devoted to culture, while TTr are devoted to reviewing and practicing new grammar. As lead instructor, I designed this course from scratch, collecting materials on history and on comics from a variety of sources. For the historical overview, my main source has been Bartelesi-Graf’s Italia dal Fascismo a Oggi, whose texts I adapted to facilitate students’ understanding. For explaining comics and artists, I compiled several scholarly sources, some of which I had to re-write according to students’ reading proficiency.

I also paired secondary sources with primary sources, both in terms of digital reproductions of comic strips and comic pages, and of material objects (my own comic books and comics magazines). Thanks to Professor Arnaudo’s generous donation of comics to the Lilly Library of Manuscripts and Rare Books, I was able to provide my students with the opportunity to observe and analyze comics works dating back to the 1920s and 1930s.

As far as assignments, my colleague was in charge of grammar quizzes, while I took care of the remaining tasks. The main goal of the course was to enable students to write a successful critical paper in which they contextualized and historically situated a comic work or an artist; therefore, I designed all main cultural assignments as steps to accomplish this final task. Finally, the digital platform Canvas had a huge role in the success of the course. Since materials were selected and made available to students every week, students’ main interface for the course was the Module option on Canvas, which at the same time presented updated day-to-day class activities and homework.

Canvas Course I have designed

M250: Intermediate Italian II

Each section of the course analyzes different topics through the lenses of history, literature, art, comics and cinema. Structured with the goal of easing the transition from language-based to content-based courses, this course provides the opportunity to craft multilayered, all-encompassing activities. This way, I encourage students to identify meaningful aspects of Italian culture and make significant comparisons with their own culture.

This fourth-semester language course has been developed by a group of instructors and lecturers at Indiana University (including me) with the aim of offering students the opportunity to practice vocabulary and grammar in context. Each contributor compiled materials and created activities in the fields of history, literature, art, comics, and cinema, with topics ranging from war to love and friendship, from adventures and everyday life to migration. In addition to creating the chapter on comics and congiuntivo imperfetto and trapassato, I helped the lead researcher turn the course into a digital Canvas platform for online courses, and I innovated the structure of the in-person course. The result is a multi-faceted course, which includes a variety of in-class and out-of-class activities and allows a good degree of freedom to the instructors that teach it.

Canvas Course I have contributed designing (featured image is mine)

M300: Italian Conversation & Diction – Italian culture through Films (co-taught)

In my Advanced Conversation class we tackle questions of religion, gender identity, political views and disability. As I am aware that controversies might arise in dealing with such sensitive topics, I seek to assign material that shows a variety of angles and stimulates a flexible and open-minded approach.